Date of Death 5 August 1955 , Beverly Hills, Los Angeles, California, USA (heart attack)
A Voz do Carnaval (1933). Two years later she appeared in her first feature film, Alô, Alô, Brasil (1935).
Estudantes (1935) that seemed to solidify Carmen in the minds of the Brazilian movie audiences. Now they realized she could act as well as sing. Although there was three years between "Alo, Alo Carnaval" and Banana-da-Terra (1939), Carmen continued to churn out musical hits in Brazil.
Serenata argentina (1940), with Betty Grable and Don Ameche. The only complaint that critics had was the fact that Carmen was not on the screen enough. In 1941 she was, again, teamed with Ameche in addition to Alice Faye in That Night in Rio (1941). The film was extremely popular with the theater patrons.
A La Habana me voy (1941) that American cartoon artists began to cash in on Carmen's ever-growing popularity. In the 1930s and 1940s cartoons were sometimes shown as a prelude to whatever feature film was showing.
Secretaria brasileña (1942) with Betty Grable and Cesar Romero, both of whom she had worked with before. It was shortly after this that America began adopting her style of dress as the latest fad.
Something for the Boys (1944), Four Jills in a Jeep (1944) and Greenwich Village (1944). The first two did well at the box-office, but the last one left a lot to be desired. It was her last busy year in film. Carmen made one film each in 1945, '46, '47 and '48. After that she didn't make a film for two years, until Nancy va a Rio (1950), a production for MGM.
Una herencia de miedo (1953). She did stay busy, singing on the nightclub circuit and appearing on the relatively new medium of television. However, "Scared Stiff" was her final performance on the silver screen. On August 4, 1955, she suffered a heart attack, although she didn't realize it at the time, during a live broadcast of The Jimmy Durante Show (1954).
Was best known for her musical numbers where she wore a costume featuring a hat decorated with fruit.
High cheek bonesEnthusiastic personality
The intersection of Hollywood Bl. and Orange Drive, was named Carmen Miranda Square. [September 1998]
In the 40s she was the highest paid star/ performer in the USA.The "Lady with the Tutti-Frutti Hat" in Hollywood musicals of the 1940s. See her at her sparkling best as the cheeky "Rosita Murphy" in the gorgeous Technicolor Secretaria brasileña (1942), in which, without the slightest effort, she virtually steals every scene she's in - upstaging even the film's [nominal] star, Betty Grable!
She appeared in the 1939 Broadway revue, "Streets of Paris", in which she introduced the song "South American Way".
Sister of actress Aurora Miranda (b.1915), Olinda (b.1907), Amaro (b.1911), Cecília (b.1913) and Oscar (b.1916).She was the subject of a Jimmy Buffett song called, "They Don't Dance Like Carmen No More"
Carmen Miranda, or rather her ghost, is the subject of a song by Leslie Fish called "Carmen Miranda's ghost is haunting Space Station Three". There is also a book by that name, containing a collection of short stories. The only connection between the stories is that each have to do with the title.Her contract with 20th Century Fox specified that there would be no cutting away from her to reaction shots and/or dialog from other players while her musical numbers were in progress.
Daughter of José Maria Pinto da Cunha (1887-1938) and Maria Emília Miranda (1886-1971).
Mother Maria Emilia Miranda 1886-1971.
Pictured on one of five nondenominated USA commemorative stamps honoring Latin Music Legends, issued on 16 March 2011; price on day of issue was 44¢. The other stamps honored Tito Puente, Selena, Carlos Gardel, and Celia Cruz.Although born in Portugal, considered herself Brazilian at heart.
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